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Njugu Karanga and a Mercedes-Benz
Esther had been told, now and then, that she had a beautiful smile, but it was not often that she found a reason to smile. As she looked at her passport, she knew that not only had Lady Luck smiled upon her, she had, for good measure, also thrown in a happy giggle. In her little palms, she held her passage to the United Kingdom – wealth and good life were beckoning. She thought about how it would be like to not live in poverty, which had stalked her life like a shadow. It was the same poverty that had stalked generations before her.
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Story is an intrinsic part of being human. Whether recounting a challenging ordeal to our friends, explaining why something wasn’t our fault or closing a deal, the fabric of our daily life is woven through story.
This year’s theme, “A Decade of Kenyan Stories – Past, Present & Beyond,” invites reflection not only on what Kenyan writers have accomplished, but where their stories are heading.
If international success is the more viable route, what does that mean for the future of African literature and its relationship with homegrown audiences?
Imagine a time when topics like abortion, sexual harassment, and even women demanding equality in the bedroom were almost unspeakable—yet Maillu dared to write about them.
Maillu, who refers to himself as the president of African Spirituality, says that 'Ka, the Holy Book of Neter', is the African answer to the Bible.
The evening of Valentine’s saw a buzz of activities at Alliance Française, a venue well known for its long-standing support of the arts, with attendees in theme for the Red Party in their reds and blacks
