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Finding Home Part 1
The three boats were anchored against a log at the shore. Nobody was supposed to touch anything left in them until the next morning. Nobody slept. The whole island was awake as the devil. Prayerful men prayed. Women mourned their missing. Your mother said your dad had been so secretive the last few days before his disappearance. He had been closing himself inside his hut. Perhaps he was worrying about the tough times. We had been attacked by a belt of hyacinth and fishing was almost impossible. The lake’s clear water was now buried under green twigs and it would be so for months. He had told me over beer that he was thinking of going east. I told him to spit those words out of his mouth. He did. He never mentioned that again.
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This first instalment of David Maillu’s upcoming novel 'The Haves and the Have-Nots' opens our new book serialisation series. The novel dissects the dynamics of social relationships in Kenya’s immediate post-independence period, during which the divisions arising from the freedom struggle continued to have a profound effect on the young nation.
This year, the Nobel Prize in Literature has been awarded to Hungarian author László Krasznahorkai, and as the announcement makes its global rounds, the question lingers: why does Africa still look to Stockholm for validation? What would it take to build a prize and a reading culture that recognises our brilliance without waiting for the world’s permission? But perhaps, it’s time we asked: why do we still crave that stamp? What would it take for Africa to build its own literary validation, one rooted in its people, its readership, and its histories?
Bulawayo’s win was not simply about recognition. It was about the arrival of a new voice; sharp, urgent, and unwilling to romanticise hardship. The children in Hitting Budapest are not abstract symbols of poverty; they are fully alive, funny, cruel, curious, and unforgettable.
Traditionally, the nyatiti was reserved for initiated men. For a young Japanese woman to not only learn it but master it was unthinkable.
Social media has been transformative. It’s allowing Africans to reclaim stories in real-time—whether it’s TikTokers teaching indigenous languages or Instagram creators reviving ancient textile traditions. Technology is helping bypass traditional gatekeepers, making it easier to tell our stories from our perspective.
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His Only Wife by Peace Adzo Medie begins with Elikem absent on his wedding day, represented instead by his brother Richard. It is a story that peels back the curtain on marriage, family pressure, and the politics of beauty in African society.
