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Women are the ones doing the work, so why are they not involved in determining who gets to lead?
Writing in My Life on the Road, Gloria Steinem reflected on the cost of this uneven distribution of opportunity, saying she was “angry about the human talent that was lost just because it was born into a female body, and the mediocrity that was rewarded because it was born into a male one.” It is a particularly useful way of thinking about the leadership gap because what is lost is not simply a woman's promotion or a seat at a table. It is the talent an institution may never discover because it did not give that person the opportunity to exercise authority in the first place.
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In a collaboration with Mvua Press, one of Soi’s iconic women becomes the face of After 4.30, a timeless book that digs deep into the lived experiences of women navigating violence, survival, and solidarity.
The sudden death of a pious Man of God saddened and worried me. What kind of man would the white smoke billowing out of the Vatican’s Sistine Chapel unveil to replace him? Would he be a sissy and conniving charlatan or a fearless shepherd with the spine to resolutely poke fingers into the devil’s nose? asks Ted Malanda.
At the heart of Kenya’s literary scene lies a reverence for the past, especially for what Kwani? represented. Its legacy is undeniable, and its contribution to literature in East Africa deserves to be acknowledged. But how long can we keep circling the same conversations?
"There's a market, and there's curiosity about African stories by Africans. We must find our way into that market," says Empress Ciku Kimani-Mwaniki.
Story is an intrinsic part of being human. Whether recounting a challenging ordeal to our friends, explaining why something wasn’t our fault or closing a deal, the fabric of our daily life is woven through story.
This year’s theme, “A Decade of Kenyan Stories – Past, Present & Beyond,” invites reflection not only on what Kenyan writers have accomplished, but where their stories are heading.
