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Three decades of 'It's a Madd Madd World' : Celebrating satirist and cartoonist Maddo’s unbroken mirror to the nation
Former Chief Justice Willy Mutunga noted that “whereas politicians draft laws, cartoonists draft the conscience. From managing the high-stakes shadows of the International Criminal Court (ICC) proceedings in The Hague to illustrating the chaotic birth of our devolved governance systems between 2012 and 2016, 'It’s a Madd Madd World' has ensured that power is constantly held accountable through humour.”
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Writing in My Life on the Road, Gloria Steinem reflected on the cost of this uneven distribution of opportunity, saying she was “angry about the human talent that was lost just because it was born into a female body, and the mediocrity that was rewarded because it was born into a male one.” It is a particularly useful way of thinking about the leadership gap because what is lost is not simply a woman's promotion or a seat at a table. It is the talent an institution may never discover because it did not give that person the opportunity to exercise authority in the first place.
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That is when I stumbled upon data from the Kenya National Bureau of Statistics and the Kenya Demographic Survey of 2022. Goddamn it. The kids are sleeping with the enemy, and it isn’t working. Surprise? Apparently, 34% of all households in Kenya are led by women. Divorce is huge. Eleven per cent of married women and 5% of married men are choosing to walk, instead of strangling each other (hurrah!).
What happens when a government tests how easily economic frustration can be redirected towards an identifiable group? What happens when people who should be asking why their economy is failing instead begin asking why another African is allowed to sell goods on the same street? What happens when a population is so economically exhausted that all it needs is a target?
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There is also something deliciously ironic about this happening while Kenya is being encouraged to look towards Singapore as the benchmark for development. Ruto's Singapore is supposed to represent efficiency, prosperity and modernity. At Books in Africa, however, Singapore currently represents something much simpler: Someone over there is reading us and the real question is why.
