Theatre is like juggling multiple balls at once. You’re in character, but you’re also aware of the audience, your scene partners, and the technical aspects of the show. Occasionally, there’s a moment—maybe fifteen minutes in a two-hour performance—when everything aligns, and you’re fully inside the character. Those moments are magical.

Shiko’s passion for books began in childhood. As a child, she would sometimes fake being unwell at school just so she could sit in the secretary’s office and read the books kept there.

Panellists shared how social media has made us have “brain rot”. It has shaped our perceptions and ideologies and made us rely on small talk and conversations that don’t build but rather take away our knowledge.

In many ways, the festival became a space where women’s contributions to liberation movements were repositioned from the margins to the centre. Rather than appearing as secondary figures within nationalist narratives, women were discussed as organisers, strategists, educators, and custodians of collective memory

From 7 to 9 May, the Alliance Française de Nairobi will host the fifth edition of Africa Forward Fest, now expanded into a pan-African platform that brings together writers, publishers, translators, and cultural thinkers from across the continent. Timed ahead of the Africa Forward Summit, the festival arrives with a clear sense of intent: To move beyond celebration and into the harder work of connection, circulation, and influence.

Last week, while writing about Joan Thatiah’s Mad Women, I returned again and again to Zawadi, a young woman whose life ends after a clandestine abortion in a residential apartment. This week, reality has caught up with literature. The Court of Appeal in Kenya has overturned the 2022 High Court decision that had recognised access to abortion under limited constitutional circumstances, holding instead that abortion is not a standalone fundamental right under the Constitution of Kenya 2010.