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TikTok, Trumpets and Deception: Unmasking Africa’s doomsday, ‘mighty’ prophets
This is not unique to Ruto. Across the political divide, figures such as Babu Owino regularly quote scripture, invoke divine justice and frame political struggle in spiritual terms. The Bible becomes a rhetorical shield, a way to signal moral legitimacy without submitting ideas to scrutiny. In a deeply religious society, scripture shortcuts debate, bypasses evidence and goes straight to emotion.Political theorists have long warned that when religion becomes the primary language of politics, accountability weakens. Policies are no longer judged on outcomes but on perceived righteousness. Leaders are forgiven material failure because they “fear God”. Critics are dismissed not as dissenters, but as enemies of faith.
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When dyslexia is neither understood nor embraced, the inherent storytelling abilities of dyslexic children are limited to coping mechanisms. Joining words and letters together and manipulating the sounds successfully present serious challenges.

Bookstores like Kibanga offer an alternative to imported bestseller lists and one-dimensional narratives. They become more than just sellers of books — they are cultural custodians, curators of local voices, and channels through which Kenyan and African literature can truly be read, discussed, and loved.

Storytelling motivates children to read more, which in turn helps them to improve on their language skills.

In a collaboration with Mvua Press, one of Soi’s iconic women becomes the face of After 4.30, a timeless book that digs deep into the lived experiences of women navigating violence, survival, and solidarity.

The sudden death of a pious Man of God saddened and worried me. What kind of man would the white smoke billowing out of the Vatican’s Sistine Chapel unveil to replace him? Would he be a sissy and conniving charlatan or a fearless shepherd with the spine to resolutely poke fingers into the devil’s nose? asks Ted Malanda.

At the heart of Kenya’s literary scene lies a reverence for the past, especially for what Kwani? represented. Its legacy is undeniable, and its contribution to literature in East Africa deserves to be acknowledged. But how long can we keep circling the same conversations?

